Avid Media Composer - предпочтительный выбор и для профессионалов
высшего уровня, занимающихся производством кино- и видеопродукции, и
для независимых производителей, и для новичков пост-производства.
Огромный инструментарий для творческой работы: поддержка технологий
безленточного производства, работа с любыми форматами, мультикамерный
HD монтаж и многое другое. Прекрасное сочетание со свободой выбора
различных вариантов систем Avid Media Composer, которые наилучшим
образом подходят к тем или иным проектам: от автономной системы с
программным обеспечением без дополнительной аппаратной поддержки до
законченного аппаратно-программного комплекса Avid Media Composer /
Avid Digirtal Nonlinear Accelerator (Avid DNA).
Imagine working with a powerful and creative editing tool that works
the way you want to work, with all the formats you need, and in ways
you never thought possible. That’s the beauty of award-winning Media
Composer. With it, you get the speed, flexibility, reliability, and
organization you need to cut films, TV shows, commercials, and other
digital media, so you can stay focused on what matters most — telling a
great story.. Media Composer goes where other editors leave off, giving
you the strongest editorial tools, the most dependable media
management, and innovative features that let you do the unimaginable,
so you can deliver projects on time and on budget. That’s why pros use
and trust it to create the world’s most watched, most loved media.
Whether you’re a producer, director, or editor, in the studio or on the
road, or using a Mac or a PC, Media Composer lets you edit the way you
want, wherever you want. And now that it’s more affordable than ever,
Media Composer is also the best value around.
Features
• Mix and match frame rates (in addition to formats and resolutions) in the same timeline
• Share Mac-based Media Composer projects with Pro Tools editors through Video Satellite
• Encode and deliver final masters in Panasonic AVC-Intra format
• Instantly access and edit GFCAM 100 Mb-formatted media through AMA
• Be more creative and productive with new updates to the included Production Suite
• Create low-res proxies of archived HD 720p media for faster reviewing and retrieval
• Capture and preserve ancillary and closed captioning data on Nitris DX and Mojo DX systems
• Monitor 1080p24 projects on NTSC monitors with Symphony Nitris DX systems
• View stereoscopic material side-by-side for a more natural line of sight
• Get more monitor choices for viewing stereoscopic media
• Experience improved playback with DV100 media
• Get improved playback of QuickTime DNxHD media in Pro Tools
• View 16 tracks at a time in the audio mixer, in addition to 4- and 8-track display
• Work with AAF files larger than 2 GB
• Get more levels of undo
• Work with complex scenes even easier with multicamera editing improvements
• Gain precision and save time with auto-zoom for motion tracking and stabilization
• Move clips without having to rebuild transitions with transition preservation
• Get better archive and restore control with new recapturing and decomposing features
• Manage clips in the timeline easier with improvements to clip color coding
• Gain better edgecode handling when using the Timecode burn-in effect
• Enter timecode more easily when using a keyboard without a numeric keypad
• Directly register Media Composer through the activation dialog (may require an Internet connection)
• Get support for the latest qualified NVIDIA hardware with the updated driver
Mix and Match Frame Rates
Work with mismatched media without rendering or restriction. With the
new Frame Rate Mix & Match feature, you can mix and match SD and HD
formats at 24, 29.97, 30, 50, and 59.94 fps in the same timeline.
Eliminate the time and money spent on external transcoding and frame
rate conversions, and enjoy real-time, broadcast-quality playback
Sync with Pro Tools Editors
With the Video Satellite option, Pro Tools editors can now use a Mac OS
X-based Media Composer system (in addition to Windows Vista and XP) as
a Pro Tools Video Satellite, meaning you won’t have to transcode video,
render effects, or copy files for them. Learn more about Pro Tools
interoperability with Avid systems in this white paper.
Deliver Masters in AVC-Intra Format
Easily integrate into the popular Panasonic AVC-Intra pipeline and
deliver final masters in AVC-Intra (P2) format for further handling and
playout. With new AVC-Intra encoding, you can work with any P2 project
in its original native format, from acquisition to delivery, for the
quickest project turnarounds.
Expanded GFCAM Support
With this latest release, you can instantly access and edit Ikegami
GFCAM 100 Mb-formatted material (in addition to GFCAM 50 Mb material)
directly on GFPAK media or an AMA Virtual Volume through AMA (Avid
Media Access). Get the fastest GFCAM workflow from shoot to edit, with
full native support for the format and all metadata.
Be More Creative and Productive
With new features, tools, filters, and support in the included
Production Suite (formerly Software Suite), you can be even more
creative and productive than ever before. Create stunning visual
effects with new filters and effects in Avid FX 5.8 and Boris Continuum
6. Get higher quality encoding, Mac burning, and expanded codec support
in Sorenson Squeeze 5. Create music tracks with more ease with
SmartSound Sonicfire Pro 5. And author and burn DVDs and Blu-ray Discs
with Avid DVD by Sonic 6 (Windows only).
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